{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://ualberta.aviaryplatform.com/iiif/p843r0rw66/manifest","type":"Manifest","label":{"en":["Micah Pawluk \"On an Overgrown Path: Music of Nature, Nostalgia, and Loss\" - DMus Thesis Supplementary Materials"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/128/original/UA_Logo_WHT_RGB_%281%29.png?1725471982","metadata":[{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eAbstract from Scholarly Notes: Nature is incredibly important to humanity’s well-being. This thesis explores relatively unknown piano repertoire by three composers (Leoš Janáček, Einojuhani Rautavaara, and Jean Sibelius) whose lives and work show profound connections to nature. The pieces discussed are explored structurally, theoretically, and with regards to their narrative and poetic content and how they relate to nature. Many connections are drawn between the composers’ lives and work, while differences in their approaches are highlighted. Historical context is provided to place these works both within the lives of the composers, and the larger cannon of “classical” piano repertoire. Some of the repertoire is also explored with respect to connections to the author’s life. Emphasis is placed on the themes of nature, nostalgia, and loss.\u003c/p\u003e (Abstract)","\u003cp\u003eLeoš Janáček: On an Overgrown Path\u003cbr\u003eSeries I:\u003cbr\u003e1. Naše večery (Our Evenings) (1900)\u003cbr\u003e2. Lístek odvanutý (A Blown-Away Leaf) (1900)\u003cbr\u003e3. Pojďte s námi! (Come With Us!) (1908)\u003cbr\u003e4. Frýdecká panna Maria (The Madonna of Frydek) (1900)\u003cbr\u003e5. Štěbetaly jak laštovičky (They Chattered Like Swallows) (1911)\u003cbr\u003e6. Nelze domluvit! (Words Fail!) (1908)\u003cbr\u003e7. Dobrou noc! (Good Night!) (1900)\u003cbr\u003e8. Tak neskonale úzko (Unutterable Anguish) (1911)\u003cbr\u003e9. V pláči (In Tears) (1908)\u003cbr\u003e10. Sýček neodletěl! (The Barn Owl Has Not Flown Away!) (1900)\u003cbr\u003eSeries II:\u003cbr\u003e11. Andante\u003cbr\u003e12. Allegretto\u003cbr\u003eSeries II supplement:\u003cbr\u003e13. Più mosso\u003cbr\u003e14. Vivo\u003cbr\u003e15. Allegro\u003cbr\u003eEinojuhani Rautavaara: Partita, Op. 34\u003cbr\u003e16. I\u003cbr\u003e17. II\u003cbr\u003e18. III\u003cbr\u003eJean Sibelius: Ten Pieces, Op. 24:\u003cbr\u003e19. No. 2: Romance\u003cbr\u003e20. No. 3: Caprice\u003cbr\u003e21. No. 5: Valse\u003cbr\u003e22. No. 9: Romance\u003c/p\u003e\r\n\u003cp\u003e23. Program\u003c/p\u003e (table of contents)"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eThis thesis is made available by the University of Alberta Libraries with permission of the copyright owner solely for non-commercial purposes. This thesis, or any portion thereof, may not otherwise be copied or reproduced without the written consent of the copyright owner, except to the extent permitted by Canadian copyright law.\u003c/p\u003e"]}},{"label":{"en":["Date"]},"value":{"en":["2025-09-25 (created)"]}},{"label":{"en":["Agent"]},"value":{"en":["Pawluk, Micah (Creator)","Pawluk, Micah (Performer)","Janáček, Leoš (Composer)","Rautavaara, Einojuhani (Composer)","Sibelius, Jean (Composer)"]}},{"label":{"en":["Format"]},"value":{"en":["audio/ .wav (AV Type)"]}},{"label":{"en":["Subject"]},"value":{"en":["Solo Piano Music (topical)","Music Composition (topical)"]}}],"summary":{"en":["\u003cp\u003eAbstract from Scholarly Notes: Nature is incredibly important to humanity\u0026rsquo;s well-being. This thesis explores relatively unknown piano repertoire by three composers (Leo\u0026scaron; Jan\u0026aacute;ček, Einojuhani Rautavaara, and Jean Sibelius) whose lives and work show profound connections to nature. The pieces discussed are explored structurally, theoretically, and with regards to their narrative and poetic content and how they relate to nature. Many connections are drawn between the composers\u0026rsquo; lives and work, while differences in their approaches are highlighted. Historical context is provided to place these works both within the lives of the composers, and the larger cannon of \u0026ldquo;classical\u0026rdquo; piano repertoire. Some of the repertoire is also explored with respect to connections to the author\u0026rsquo;s life. Emphasis is placed on the themes of nature, nostalgia, and loss.\u003c/p\u003e","\u003cp\u003eLeo\u0026scaron; Jan\u0026aacute;ček: On an Overgrown Path\u003cbr /\u003eSeries I:\u003cbr /\u003e1. Na\u0026scaron;e večery (Our Evenings) (1900)\u003cbr /\u003e2. L\u0026iacute;stek odvanut\u0026yacute; (A Blown-Away Leaf) (1900)\u003cbr /\u003e3. Pojďte s n\u0026aacute;mi! (Come With Us!) (1908)\u003cbr /\u003e4. Fr\u0026yacute;deck\u0026aacute; panna Maria (The Madonna of Frydek) (1900)\u003cbr /\u003e5. \u0026Scaron;těbetaly jak la\u0026scaron;tovičky (They Chattered Like Swallows) (1911)\u003cbr /\u003e6. Nelze domluvit! (Words Fail!) (1908)\u003cbr /\u003e7. Dobrou noc! (Good Night!) (1900)\u003cbr /\u003e8. Tak neskonale \u0026uacute;zko (Unutterable Anguish) (1911)\u003cbr /\u003e9. V pl\u0026aacute;či (In Tears) (1908)\u003cbr /\u003e10. S\u0026yacute;ček neodletěl! (The Barn Owl Has Not Flown Away!) (1900)\u003cbr /\u003eSeries II:\u003cbr /\u003e11. Andante\u003cbr /\u003e12. Allegretto\u003cbr /\u003eSeries II supplement:\u003cbr /\u003e13. Pi\u0026ugrave; mosso\u003cbr /\u003e14. Vivo\u003cbr /\u003e15. Allegro\u003cbr /\u003eEinojuhani Rautavaara: Partita, Op. 34\u003cbr /\u003e16. I\u003cbr /\u003e17. II\u003cbr /\u003e18. III\u003cbr /\u003eJean Sibelius: Ten Pieces, Op. 24:\u003cbr /\u003e19. No. 2: Romance\u003cbr /\u003e20. No. 3: Caprice\u003cbr /\u003e21. No. 5: Valse\u003cbr /\u003e22. No. 9: Romance\u003c/p\u003e\r\n\u003cp\u003e23. Program\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eThis thesis is made available by the University of Alberta Libraries with permission of the copyright owner solely for non-commercial purposes. This thesis, or any portion thereof, may not otherwise be copied or reproduced without the written consent of the copyright owner, except to the extent permitted by Canadian copyright law.\u003c/p\u003e"]}},"provider":[{"id":"https://ualberta.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["University of Alberta Library"]},"homepage":[{"id":"https://ualberta.aviaryplatform.com/","type":"Text","label":{"en":["University of Alberta Library"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/128/original/UA_Logo_WHT_RGB_%281%29.png?1725471982","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://ualberta.aviaryplatform.com/collections/1782/collection_resources/160699/file/292546","type":"Canvas","label":{"en":["Media File 1 of 22 - 01-_Our_Evenings.wav"]},"duration":233.26592,"width":640,"height":40,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://ualberta.aviaryplatform.com/collections/1782/collection_resources/160699/file/292546/content/1","type":"AnnotationPage","items":[{"id":"https://ualberta.aviaryplatform.com/collections/1782/collection_resources/160699/file/292546/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-ualberta.s3.wasabisys.com/collection_resource_files/resource_files/000/292/546/original/01-_Our_Evenings.wav?1758749583","type":"Audio","format":"audio/wav","duration":233.26592,"width":640,"height":40},"target":"https://ualberta.aviaryplatform.com/collections/1782/collection_resources/160699/file/292546","metadata":[]}]}],"annotations":[]},{"id":"https://ualberta.aviaryplatform.com/collections/1782/collection_resources/160699/file/292547","type":"Canvas","label":{"en":["Media File 2 of 22 - 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